Showing posts with label print media. Show all posts
Showing posts with label print media. Show all posts

Sunday, March 14, 2010

"Will the Internet Kill Magazines? Did Instant Coffee Kill Coffee?"


Today, print media obituaries are neither new nor all that surprising. In fact, it seems as though we have grown accustomed to the fact that print is dying and/or already dead.

Understandably, this prevailing narrative is deeply concerning to those in the relatively stable magazine sector of the print mediascape. In the face of this trend, many in the magazine industry are moving to take matters into their own hands.

While bloggers and pundits proclaim print as dead, these magazine industry insiders are preparing to officially discredit these statements - which they dispel as "merely myths".

For one, the heavyweights of the magazine industry recently joined forces to proclaim that while the rest of print media may be on their last legs, magazines are very much alive and well.

On March 1, a joint announcement was made that the largest print advertising campaign ever created to promote the vitality of magazines as a medium is in the works. Essentially, the "Magazines, The Power of Print" campaign will work to curb the general public’s relative acceptance of a complete death of the print media industry.



In the promotional video, the leaders of five major magazine companies – Charles H. Townsend, Condé Nast; Cathie Black, Hearst Magazines; Jack Griffin, Meredith Corporation; Ann Moore, Time Inc.; and Jann Wenner, Wenner Media – can be seen advocating for the future of magazines.

Interestingly, one insider even proclaimed: “As long as those media continue to evolve and provide an irreplaceable value,” they will survive.

The "Magazines, The Power of Print" campaign will kick off in May 2010. The advertising-awareness campaign is scheduled to launch in "nearly 100 magazines, reaching 112 million readers per month, to promote the strength of-and consumer commitment to—magazines."

In order to achieve the utmost exposure, the advertisements will debut as full-colour spreads, strategically placed in May issues of the aforementioned publishers' most popular publications with attention-grabbing headlines: "We Surf the Internet. We Swim in Magazines." And "Will the Internet Kill Magazines? Did Instant Coffee Kill Coffee?"





In light of this latest undertaking, we must ponder both the logic behind and merit of such a public relations stunt. Further, we should be questioning why the magazine industry feels that it is necessary to proclaim their wellbeing while their fellow print media peers fall by the wayside.

Is an elitist personality emerging in the print mediascape? If so, is it warranted?

Sunday, February 7, 2010

Tea and the future of print media with Jay Rosen

Apple’s newest gadget – the iPad, was unveiled on Jan. 27. The hype and hope surrounding this latest Apple product was infectious to say the least.

Everyone from tech-savvy fanatics to die-hard advocates of traditional print media were cheerleaders at the iPad’s introduction into the mediascape.

However, when Jay Rosen sat down with The Economist for tea, and to discuss the glorified potential of this newest technology, he seemed relatively immune to the buzz.



Rosen is a journalism professor at New York University (NYU). As well, he is a highly sought-after blogger and media critic whose opinion is not taken lightly.

As Rosen unpacked and subsequently debunked the hype and hope of iPad romanticism during his interview, it became very clear very quickly that perhaps too much greatness was expected of this medium.

This defeatist sentiment was only reiterated as Rosen offered his take on the burning question on the mind of every journalist and publisher: Will the iPad save the ailing print media industry that is desperate for a payday?

Interestingly, Rosen doesn’t seem to think so.

But why?

Well, according to Rosen, a significant amount of the iPad’s success “depends on the network of people who become the users.” Essentially, the user has to like it.

In regards to this, Rosen is unsure of how the tech-savvy masses, who have blossomed in their active role in modern social media, will react to the iPad’s old school ‘sit back, relax and enjoy the media’ feel.

Moreover, today, user-generated content ranks among the most popular content on the web. As well, along with user-generated content comes: user-generated filtering, user-generated organization, user-generated distribution and user-generated commentary. It is clear that internet users are making use of the power granted by social media.

Furthermore, the iPad is without a camera and videotaping capabilities, and only equipped with a barely workable keyboard. Thus, this ‘new’ technology is very unlike the Web 2.0 world we’ve grown accustomed to.

For this reason, Rosen believes that the iPad “is taking us back in web time to the read-only web.” He said that this newest tablet is “restoring people to the days when they were just the audience… when they were just the consumers of content.”

While the traditional print and publishing media are enthralled to “bring back the experience of sitting back with the media and enjoying the wonderful productions,” one must question whether this logic is outdated and if the media industry is out of touch with consumers.

Ultimately, Rosen is skeptical of whether the masses will respond positively to their demotion to merely a passive audience member.

What it comes down to is that the media is hoping the iPad, which has the capacity to charge users for content, will help the floundering traditional print media corporations - who have witnessed the internet take a sizable bite out of their profits.

However, with all the free content online, Rosen said that the media should concern itself with having the highest quality of content that is of value to its readers, rather than the presentation of that content - on e-readers, the Kindle, or the iPad.

According to Rosen, the media resorts to “magical thinking, deliverance by new devices, and business models” because “actually producing high quality content is a lot harder.”